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WORLD
BUSINESS
The French Now Sniff, Swirl and Brand
By ERIC PFANNER
Published: July 24, 2006
LONDON, July 23 — With the 2005 Bordeaux vintage
fetching record prices in the wine futures market, the
elite chateaus of France have rarely had it better. Further
down the pecking order, though, French winemakers’
woes are growing. More consumers are snubbing French wines
in favor of New World alternatives. And the European Commission
wants to tear up some vineyards to reduce excess production
and cut subsidies to growers.
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Le Freak, left, is a quirky French brand;
Chamarré will be
sold aggressively in the United States. |
The situation has forced some winemakers to embrace a
new approach to marketing.
“Wine increasingly is becoming a consumer good,
not a cultural exception,” said Pierre Courbon,
international marketing director at OVS, a French company
that was created to sell a new wine brand, Chamarré,
which it intends to go head to head with consumer favorites
from Australia, California, Chile and elsewhere. “Beer,
spirits, vegetables, dairy products and even bread is
branded. Why not wine?”
Until recently, such words might have been considered
heresy in France, where many winemakers have an almost
religious attachment to the idea that wines must reflect
the specific attributes of the land on which they are
grown, not the global characteristics of a brand. French
law requires quality wines to be labeled accordingly,
listing details like the region, the vineyard and the
producer. But many consumers in markets like Britain and
the United States now prefer to choose their wines according
to the grape variety, like cabernet sauvignon or Riesling,
rather than the name of the region where they were grown,
like Bordeaux.
New World producers have obliged, providing ranges of
varietal wines and lining them up on supermarket shelves
under familiar brand names like Jacob’s Creek or
Gallo. Though France, a country synonymous with wine,
was slow to follow suit, a few French brands are catching
on with consumers. JP Chenet, a line of wines marketed
by Les Grands Chais de France, is one of the fastest growing.
Chamarré, which recently went on sale in Britain
and the Nordic countries, is a further step down the road
toward international-style branding. The labels, with
the Chamarré name in large type, accompanied by
the region or varietal blend, closely resemble those from
leading California brands, an indication of where OVS
is setting its sights.
The company recently set up an office in Miami and plans
to enter the American market this year. The wines will
generally be priced at $7 to $12, said Hubert Surville,
who heads the United States unit.
OVS has big plans, hoping to sell a million cases, or
12 million bottles, each year in the United States within
five years, Mr. Surville said. The company, which has
financing from the French government and private banks,
plans to support the introduction of Chamarré with
a broad-based marketing campaign.
In the United States, Mr. Surville said, OVS plans to
spend $10 million on advertising and other promotions
over the next three years, a sizable amount for a wine
brand. In Britain, much of the marketing activity will
be focused on the point of sale, as in-store promotions
fuel up to 70 percent of wine sales in the country, Mr.
Courbon said.
Though French wines once held a 10 percent market share
in the United States, that is down to about 3 percent,
analysts say, with Australia, Chile and other young exporters
making up much of the difference. In Britain, French wines
retain nearly one-fifth of sales, but that share has slid,
too, and France has yielded market leadership to Australia.
Though French objections to the American-led invasion
of Iraq fanned anti-French sentiment in the United States,
leading to retaliation against some French products, Mr.
Surville said that was not the main problem for French
wine. “Consumers don’t care about where a
wine comes from,” he said. “What has happened
to French wines in America isn’t the fault of the
French-bashing; it’s poor marketing.”
Americans have also shown a preference for big, fruity
wines from countries like Australia, and Chamarré
wines are being made in a similar style, Mr. Courbon said,
emphasizing grapes from the sunny south of France.
Some of the other successes in branding French wine have
come through outside involvement. Fat Bastard, an irreverent
brand created about a decade ago by a British importer,
Guy Anderson, and a French producer, Thierry Boudinaud,
and featuring a cartoon hippopotamus on the label, sells
500,000 cases a year in the United States. Mr. Anderson
and Mr. Boudinaud have sold the brand to its United States
distributor and moved on to other quirky brand ventures
involving French wine, including Le Freak.
E.& J. Gallo is selling a French wine under the label
Red Bicyclette, an attempt to build on nostalgic images
of rural France. Southcorp, which owns the Lindemans,
Penfolds and Rosemount brands of Australian wine, has
also started a French brand, La Belle Terrasse. Analysts
say it is probably a matter of time before other big companies
start their own French wine labels.
Richard Halstead, operations director at Wine Intelligence,
a market research company in London whose clients include
OVS, said: “You’ve got a supply crisis in
France which is never going to be dealt with through the
existing distribution and marketing infrastructure. As
long as that exists, there’s going to be a willingness
to try new things.”
Australians have shown a particular knack for brands,
with a relatively recent entrant in the American market,
Yellow Tail, growing into something of a phenomenon and
selling more than 7.5 million cases last year. Like many
of the other new wine brands, it features an animal on
the label, in this case a wallaby.
Chamarré is also taking that route, as the name,
in southern French patois, refers to a kind of butterfly,
the yellow-tailed skipper. OVS has yet to select an ad
agency to develop this image, but Mr. Courbon said it
had narrowed the list to three finalists.
One problem with brands of wine is that they can go out
of fashion as quickly as they became trendy. German wines
had some success with brand names like Black Tower in
the 1970’s, but those wines are rarely found on
dinner tables of knowledgeable consumers now. Sales of
Fat Bastard wines have tailed off in Britain. Mr. Courbon
said Chamarré would be marketed as a “contemporary,
forward-looking, optimistic” brand to try to avoid
this problem.
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